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이미지 프롬프트

코발트 복사 질감 필기체 포스터

조각난 고딕 제목과 반복되는 거대한 외곽선 필기체, 흑백 복사 질감 사진을 겹친 강렬한 코발트 에디토리얼 포스터 프롬프트입니다.

프롬프트 (한국어)

원문 프롬프트

Create a finished 16:9 poster in the "cobalt-xerox-script-editorial-poster-style" visual system. The cobalt artwork itself must fill the raster nearly edge to edge, bounded only by a one-to-two-percent black keyline. Do not show a black presentation mat, floating card, wall, frame, room, or mockup.

STYLE FIDELITY IS THE FIRST PRIORITY. These anchors are mandatory: The poster artwork fills the raster nearly edge to edge with only a thin black keyline; there is no outer black presentation mat, floating card, wall mockup, or large safe margin. Page density is extremely high: typography, script, photo, cutout, and microcopy occupy roughly 88 to 94 percent of the usable poster, leaving only narrow cobalt seams rather than large calm blue fields. The supplied all-caps headline is forcibly split into two separate monumental neo-grotesk blocks: the opening words crowd the upper band and the remaining words reappear below the photo, never as one tidy complete title at the top. One selected word from the new headline is written twice as an enormous legible hairline cursive outline, each instance wider than the page and visibly cropped, crossing behind and in front of the headline and photo boundaries. A single wide black-and-white photo panel uses an ambiguous extreme macro crop with almost no environmental context; surface, gesture, or anatomy fills the frame at confrontational scale instead of showing a normal documentary scene. The photograph has aggressive Xerox and coarse newspaper-halftone treatment with visibly enlarged dots, crushed carbon-black shadows, chalk-white highlights, and rough tonal breakup. A single irregular, mostly black cutout object intrudes across the lower headline and the gap between two microcopy columns; it is flat and shadowless, never a centered product hero on empty blue. Two dense narrow columns of tiny white editorial text sit hard against the bottom area, each forming a compact block of roughly eight to twelve short lines, partially crowded by the cutout. The palette is restricted to intense cobalt blue, paper white, and carbon black; the blue behaves like uneven spot ink and the monochrome elements look physically reproduced. All layers remain flat and print-based with deliberate collisions: letters are cropped, script crosses the photo, the cutout obscures type, and no element receives realistic depth, bevel, or drop shadow. Coarse paper tooth, toner freckles, halftone dots, ink starvation, and scan grain remain clearly visible across the blue field, white letters, photo, and cutout while preserving the main headline. The mood is unresolved, cerebral, abrasive, and poetic, closer to an experimental photocopied poster or independent art journal than to a clean archival infographic.
LITERAL SOURCE CONTENT MUST CHANGE. Exclude: Do not recreate the extreme close-up of a person's eyes, brow, nose, gaze, or any identifiable face from the reference.; Do not use a pinecone, cone-shaped seed pod, or a cutout object with the same clustered scale silhouette.; Do not repeat or paraphrase the source slogan about everything, making sense, or not making sense.; Do not use the source masthead name, the phrase about thoughts through posters, its unidentified-object caption, or its body-copy wording.; Do not copy the same face crop, eye placement, cutout position, or exact line breaks from the source poster.; Do not reproduce any source signature, brand mark, watermark, creator identifier, or platform mark.; Do not retain the original story premise of interpreting an ambiguous face through an unidentified natural object.

New macro subject: the near-abstract macro junction of two white-gloved fingertips, a black sleeve edge, and a cracked ceramic glaze, with no face or full hand visible
Action or state visible in the macro crop: pressing the two fractured glaze edges close enough that the dark seam dominates the image
Irregular lower Xerox cutout: an irregular mostly black silhouette of a broken porcelain fragment with one jagged white glaze vein and a torn catalog tag
Location that should be only faintly implied: a silent museum conservation laboratory after hours
Minimal background fragments: only a sliver of shadowed caliper metal, a torn cotton fiber, and a nearly lost catalog grid
New all-caps headline: FRAGMENTS FORM A MAP
Original two-column editorial copy: Every break records pressure, time, and repair. The archive begins where the original shape can no longer explain itself. A missing edge becomes evidence; a stain becomes chronology. Reconstruction does not erase damage. It gives the damage a position, a scale, and a relation to what remains.
Tiny archival mark: ARCHIVE 07 / ◇
Wardrobe or material styling: matte black cotton sleeves and plain white conservation gloves

HARD COMPOSITION LOCK — all six requirements must be visible:
1. Split the supplied headline into two physically separate monumental white neo-grotesk blocks. Put only the opening words in the crowded upper band and reserve the remaining words for a second huge block below the photograph. Never place the complete headline together at the top.
2. Select one recognizable word from the supplied headline and write that same word exactly twice as enormous thin white outline-only cursive lettering. Each repetition must be wider than the poster, visibly cropped at both sides, and cross at least two zones. These are legible word contours, not small abstract loops or decorative swooshes.
3. Place one wide horizontal black-and-white photograph through the middle, spanning 84 to 94 percent of the width. Use an ambiguous extreme macro crop: one tactile fragment of the new subject fills the frame, with almost no explanatory environment. Reject normal documentary composition or a medium shot.
4. Place the second headline block immediately below the photo at the same monumental scale as the upper block. Allow the second cursive repetition and the cutout to obscure parts of these letters.
5. Convert the supplied prop into one irregular, mostly carbon-black, torn-edge Xerox cutout. Make it intrude across the lower headline and the gap between the footer columns. Keep it flat and shadowless; never center it alone as a product hero on empty blue.
6. Pack the bottom with two narrow white microcopy columns, each roughly eight to twelve short lines, plus a tiny parenthetical caption. The cutout must crowd both columns. Total visual occupancy must feel about 88 to 94 percent, with only narrow cobalt seams.

Typography: monumental paper-white all-caps neutral neo-grotesk with very tight leading, compact tracking, deliberate edge cropping, and ink-starved toner damage; two larger-than-page legible cursive repetitions in a single hairline white outline; tiny dense white editorial columns; microscopic anonymous masthead and kicker. Render the supplied main headline exactly without inventing names or logos.
Color and texture: use only intense electric cobalt blue, warm paper white, and carbon black. Apply clearly visible coarse paper tooth, blue spot-ink grain, toner freckles, enlarged halftone dots, distressed white-letter edges, ink starvation, and slight scan roughness across the entire page. The photo must have crushed black masses and chalk-white highlights. Keep this physical-print texture intentional and legible rather than digitally muddy.
Flatness: all elements are orthographic pasted print layers. No realistic cast shadows, product lighting, bevels, depth, or floating cards.
Ratio behavior: adapt the collision system to 16:9 without simplifying it. Both ratios must retain two separate headline blocks, two cropped cursive word repetitions, one horizontal macro photo, one intrusive cutout, and dense twin footer columns.
Mood: unresolved, cerebral, abrasive, poetic, and physically photocopied; experimental art-journal poster energy, not a clean archival infographic.

Avoid clean template spacing, large empty cobalt zones, complete headline only at the top, a single decorative script loop, normal documentary scenes, explanatory environments, centered circular product medallions, realistic object shadows, infographic balance, museum-label design, full-color photography, extra hues, gradients, glossy polish, smooth grayscale, 3D type, glow, comic panels, sticker clutter, logos, watermarks, usernames, QR codes, signatures, platform marks, and presentation mockups.

Match this dense collision system before changing content. Change the source subject, action, prop, location, text, and story premise while preserving the macro crop, fragmented type hierarchy, repeated script grammar, analog texture, and lower-page congestion.

작성자 VigoZhao · MIT · 출처·라이선스

Copyright (c) 2026 VigoZhao · MIT. 저장소에 실린 프롬프트와 예시 그림입니다. 원문 프롬프트는 그대로 두었고 그림은 웹용 크기와 형식으로 바꿨습니다. 원본은 빈칸이 있는 스타일 틀(style.json)이며, 여기 실은 프롬프트는 미리보기 그림과 같은 저장소 예시(ceramic-archive)의 값으로 빈칸을 채운 것입니다. 출처와 라이선스는 소개 페이지의 출처·라이선스에 있습니다.